Welcome to AM posting #1. I’ve been trying to figure out how to write about what I’ve been reading without sounding like a Grade 4 book report, and have failed miserably. Miss Strong, should you read this, I expect nothing less than a B+, as that is what you gave me when I was a lad fresh off the boat.
I’m posting at such a late hour because I’ve been up reading Christopher Moore’s A Dirty Job, it warrents three sleepless hours (but probably doesn’t warrent putting me three hours behind on my thesis). It’s rehash of the “guy becomes Death” plot, but it’s well written and fun. I’m only about 60 pages from finishing and it hasn’t quite fallen into any cliche I’ve seen so far. It’s mostly realistic, other than the supernatural happenings part, and set in modern day San Francisco.
On the science fiction front, I’ve polished off Orson Scott Card’s Speaker for the Dead, Richard Morgan’s Woken Furies (or Wanking Furries as My Lovely calls it), and Verner Vinge’s Deepness in the Sky.
Of the three, Vinge comes out on top, with an imaginative plot and interesting characters. He follows two human fleets, trapped decades from home in hiding from an alien race that is stumbling through an industrial revolution. The greatest failing of the book seems to be fairly common to sci. fi. writers: he assumes all alien cultures will be identical to ours, just with more legs.
Woken Furies is also a lot of fun. It feels more like film noir than sci. fi, but that isn’t a failing. The story is set in a world where people’s personalities are stored in a little chunk of hardware in the back of their head. Should their body perish (which occurs often in this book), they can have their personality “decanted” into another body. This book, the third featuring protagonist Takeshi Kovacs, mostly features violence, revenge, violence, revenge, and a possible change in the power structure of Morgan’s universe (and some violence and revenge).
Speaker for the Dead was good, but didn’t hold my attention. Probably because the author’s doting introduction reveals the “ohmigosh!Ican’tbelievetheplottwist” ending on page vi. Card states that his purpose in writing the book is to talk about family, and the effects that family has on characters; which is admirable, as science fiction doesn’t usually plumb those depths. He then goes on to introduce a super-duper protagonist who can conveniently see into the head of every other character and completely understand their emotions and needs. Which makes for a fairly boring story, as we just have to wait for the unstoppable Ender to talk to the right people and the entire plot falls into place. Although Card doesn’t make Vinge’s mistake of creating aliens identical to our society, Ender’s superpower does get a little annoying after a while.
And on the subject of fiction, or at least insufficient evidence, I’ve also been reading 1421. The book is ideal for anyone who enjoyed In Search Of. If you’ve seen in search of, you’ll remember it: it was a memorably bland documentary series featuring Leonard Nimoy narrating the stories behind famous “mysteries”, such as the fate of the Marie Celeste, how those crazy Mayans managed to build cities when they clearly weren’t white, etc. 1421 is similar in that it strings together a few marginally related scraps of evidence, and tries to make a point. In this case, the point is that Chinese ships sailed around the world in 1421.
I don’t contest the possibility that Chinese ships could have sailed around the world in 1421, I’m just a tad skeptical of the rather shakey evidence. Evidence that mostly seems to rely on one or two genetic comparisons of North American natives and Asians, and a few hand-me-down maps left over from Europe’s pre-colonial days.
1421 is worth skimming for fun. But I don’t think I’d sit through the entire thing unless Leonard Nimoy was reading it, to a cheesy Moog soundtrack.